I cojudged the 2025 Tanka Awards for the British Haiku Society with Alan Peat, each of us choosing our selections independently. This award is also known as the Linda Jeannette Ward Tanka Award. The following results were first published on the British Haiku Society website on 26 March 2026. I originally finished my commentary on 16 March 2026. My congratulations to the winners.
Tanka seem to work best when they express the poet’s heart, saying something distinctive and engaging that only the poet could truly say, meaning that the poem does not superficially repeat what others have already said. Poets are more likely to do this by trusting their hearts, by accepting themselves in what they say. Indeed, in the first imperial waka anthology of 905, the Kokinshū, Ki no Tsurayuki’s preface asserts that “Japanese poetry takes as its seed the human heart,” and wholehearted expression is what I look for most when reading, enjoying, and assessing tanka. I also look for sure-footedness, a feeling that the poem couldn’t be written any other way. Clarity and immediacy matter, even while challenge and mystery offer additional options.
This year’s British Haiku Society’s tanka contest received 236 tanka that I have been grateful to enjoy. I scored each poem and gave one poem 5 points (out of 5), and it became the first-place selection, even after multiple readings of all poems. I gave 32 poems 4 points (13.6% of the total), and 157 poems 3 points (66.5%). I would consider nearly all poems scoring 3 or more points to be possibly publishable, so this is a high percentage compared with many contests I’ve judged. Choosing the following selections came down to questions of freshness, honesty, vulnerability, beauty, implication, efficiency, and matters of craft—and my own subjective reactions. Here’s my first-place selection:
the universe
leaves me
a love poem
frosty stars
on my windshield
—Susan Burch (USA)
This poem finds delight in the weather’s effect on a car’s windshield, a metaphorical feeling of warmth despite the cold. The poem may really be about loneliness, however, as if these frosty “stars” are a private message, a consolation against loneliness—or an expression of longing for love even if the poet is not lonely. It is quite a claim to say that this message has come from the entire universe, yet this is the expansiveness we can feel when something beautiful lands in our lap.
beads of dew
in the warm sun . . .
a surgeon
gently explains
her journey forward
—Marilyn Humbert (Australia)
This is a poem of compassion, one that earns its selection as runner-up. We are not told the diagnosis, or what the patient’s challenges might be. Instead, we are shown that there is a journey forward, told in the context of noticing beads of dew that we know will soon evaporate in the sun. Will the person’s life also evaporate?
The following are three honourable mentions, in no particular order, which I hope you will enjoy as much as I do. My congratulations to each poet for these selections, and to many other poets who participated.
in sleep
my hand falls
to your side
even after knowing
you are not there
—Nitu Yumnam (United Arab Emirates)
sky teeming
with scintillating stars
once in a while
it would be nice
to be loved
—Pamela A. Babusci (USA)
if only
i were a cloud
when it’s too much
to handle
i rain
—Nitu Yumnam (United Arab Emirates)