First published on the Japan Fair website on 13 July 2025. Commentary originally written in late June and early July 2025. See my photos below of the winning haiku display.
We experience our world through our five senses, and haiku celebrates life experiences as they physically enter our bodies through our eyes, ears, and nose, and on our tongue and skin. If a haiku presents these sensory experiences objectively, with minimal judgment, it lets readers have the same feelings that the poets had. In this way, it’s better not to write about our feelings at all, but to write about what caused them, which can make all the difference in writing a successful haiku that enables readers to participate in each poem. The top selections here engage readers exactly in this way, as readers finish each poem that the poet has started. The English section of this year’s Japan Fair Haiku Contest received 334 adult entries and 24 youth entries. To choose standout poems, I looked for vivid seasonal references, well-crafted structures (usually with two juxtaposed parts), and other techniques typical of the best haiku in Japanese and English. I also sought a surefootedness in word choice, clean line breaks, and a strong presentation of images. Above all, I wanted to enjoy or be moved by each poem, and I hope all readers will resonate with these poems.
—Michael Dylan Welch, judge
apple blossoms
your silence
when I need you
Boryana Boteva
Sofia, Bulgaria
Our world is brimming with beauty, as suggested here by apple blossoms. But we also face challenges and tensions in life—times when we need help and support. This bittersweet poem captures a moment of appreciation or awareness tinged with loneliness and perhaps alienation. We don’t know why the poet needs help or support from someone else, but we can easily imagine possibilities. The beautiful blossoms may provide some consolation, but still that need persists, and isn’t that how all of life often is? Perhaps by always remembering the blossoms in our lives we can more easily face life’s challenges.
summer solstice
the busker plays
a tune from home
Neena Singh
Chandigarh, India
The height of summer is when many people travel or enjoy vacations. On this special summer day with the longest daylight hours of the year, the poet hears a street busker play a song. It’s not any song, but a song from home. Is it from the busker’s home or the listener’s home? Is “home” a foreign country that might be shared by the musician and the listener? Whatever the case, a touch of nostalgia warms us. Whenever we travel, we too might be able to find connection in a song from home.
melting frost
a letter crumpled up
and flattened again
Christine L. Villa
California, United States
Something about that letter prompted the action of crumpling it up. And yet the person in the poem wants to revisit the letter’s words, perhaps to get past disbelief as a way of accepting thoughts that might not have been desired. The frost is melting outside, but perhaps an internal frost is also melting in a moment of complex emotion.
war zone . . .
the continued shelling
of green peas
Ed Bremson
North Carolina, United States
In today’s troubling times, no matter where we live, what can we do but try to continue living as normally as possible? The deft double meaning of “shelling” creates a twist in this poem, the revelation of doing our best with normalcy despite abnormal and perhaps life-threatening tensions.
golden hour
the outline of a fish
in a pelican’s pouch
Ravi Kiran
Hyderabad, India
The golden hour is that time of day shortly after sunrise or before sunset when sunlight warms with a golden glow—a great time for photography. In this poem it’s easy to imagine low sunset light brightening a pelican’s translucent pouch from behind. It’s a beautiful image with touches of sympathy we might have for the poor fish or recognition that the pelican isn’t going hungry.
winter night
the rustle of loose papers
down the alley
Olivier Schopfer
Geneva, Switzerland
What are those loose papers? Perhaps just remnants of neglected garbage, but maybe papers that have been deliberately tossed to the wind. That mystery seems to be deepened by the winter night, a feeling of coldness coming to those papers, not just physically but emotionally too.
summer’s end
the faded squares
of hopscotch
Antonia Chersan (14)
Botosani, Romania
This wistful poem is about more than just the end of summer—maybe also the end of childhood. Children (perhaps including the author of this poem) have enjoyed hopscotch and outdoor play during the summer, but now summer has ended, so it’s time to return to school, even though those hopscotch squares remain. And all too soon these children will finish school, and their childhood will fade just as surely as those hopscotch squares. This vivid seasonal image enables readers to feel and experience what the poet felt.
last bell
a butterfly clings
to the school gate
Danish Yumnam (13)
Ajman, United Arab Emirates
Is this the last bell of the day or perhaps the last bell of the school year? Either way, the image of the butterfly suggests a mixture of freedom and longing, together with a hope for the future—even while it still clings to what may be fond memories of school. This is a poem about growing up.
summer music
the wind blowing through
the empty shells
Maria Negrut (15)
Botosani, Romania
Is the wind blowing through these empty shells the source of the “music”? If not, then we can imagine all sorts of alternatives, such as a guitarist or a small band playing at an outdoor restaurant, perhaps heard from a distance while we walk along the beach.
Michael Dylan Welch is the founder of National Haiku Writing Month (www.nahaiwrimo.com) and cofounder of the Seabeck Haiku Getaway, the Haiku North America conference, and the American Haiku Archives, webmaster for Haiku Northwest (www.haikunorthwest.org), and president of the Redmond Association of Spokenword. He was keynote speaker for the 2013 Haiku International Association conference in Tokyo and has been teaching haiku for thirty years. His haiku have won numerous prizes and have been translated into at least twenty languages, and he has published 75 books. Michael’s website, devoted mostly to haiku, is www.graceguts.com.
Winning haiku in both Japanese and English were displayed at the 2025 Japan Fair at Meydenbauer Center in Bellevue, Washington, 12–13 July 2025.