First published on the Japan Fair website in early July 2024. Commentary originally written in mid June 2024. See my photos below of the winning haiku display.
The following winners in the 2024 Japan Fair Haiku Contest celebrate a range of human emotion and experience. This year’s English-language selections were chosen from 349 poems in the adult division and 23 youth poems. In haiku I look for a chiefly objective depiction of personal experience, where readers can feel emotion from the poet’s careful and creative sharing of what caused emotion in them. Seasonal reference (kigo or season word in Japanese) and usually a two-part structure (equivalent to the kireji or cutting word in Japanese) are also vital to making most haiku succeed, and readers will frequently see such techniques in the following poems. My hope is that these haiku will remind you of the ordinary and the extraordinary, stopping time for you as you revel in each moment. As with previous years, thank you to everyone who entered, and congratulations to the winners.
—Michael Dylan Welch, judge
philosopher’s path—
the maple leaves
every shade of wow
Sandra Simpson
Tauranga, New Zealand
Northeast Kyoto is famous for its philosopher’s path. It is lined with hundreds of cherry trees, so the path in this poem is presumably somewhere else, lined with maples. Wherever this path is, surely it must be autumn, with the leaves in brilliant shades of orange, yellow, and red. This poem’s last word is unexpected but carries all the buoyant wonder of autumn.
sunflowers turning
the foster child switches
to first names
Edward Cody Huddleston
Baxley, Georgia
Not only are the sunflowers turning to face the sun, but the foster child is turning from formality to familiarity. We can imagine that the people now addressed by first names are adults (because other children would already be addressed by first names). This change suggests a growing comfort and perhaps even a sense of belonging. No wonder the sunflowers are turning.
first snowdrop—
the remainder of the day
becomes bearable
Dan C. Iulian
Teleorman, Romania
Some species of snowdrop flower in winter, bringing a white brightness to the dreariness of the darkest season. The middle line also suggests Kazuo Ishiguro’s, The Remains of the Day, a novel about loyalty and moral dilemma. What’s left of the day, and perhaps also the season and of life, becomes more optimistic because of the flower.
pumpkin patch
the little one
picks the biggest one
Greg Schwartz
Sykesville, Maryland
Touches of humor can also occur in haiku (not just in senryu). Here a family’s smallest child can’t help but choose the largest pumpkin. Whether that pumpkin is purchased and taken home we cannot know, but for the moment we can join in the delight of such a selection.
wild raspberries . . .
eating them
like we’re wild too
Tony Williams
Scotland, United Kingdom
Such abandon. What pleasure to discover a patch of wild raspberries and to eat them ravenously. It’s also pleasing that this is a shared moment, experienced not just by one person but at least two, going wild together.
falling snow
I am still
earthbound
Vishal Prabhu
Pune, India
If you’ve ever been in a gentle snowfall, looking up can feel exuberant, whether in the dark (but with enough light) or in the daytime. It can feel like you’re flying upwards. This poem suggests that feeling of rising into the snow falling from above, but with the realization that the poet is indeed still earthbound. In this way, aspiration is balanced with reality.
turbulence . . .
holding tight the hand
of my imaginary friend
Andreea Lebaduca
Botosani, Romania
This poem’s first line shows us that we’re on an airplane. The second line presents realistic comfort against the stress of midair turbulence. And then the third line provides a twist—that this friend is not real but imaginary. This could be an adult as easily as we might picture a child. Although the held hand is imagined, the turbulence is real. But surely the comfort is also real.
no one attentive
to the round-up lesson
cherry blossoms
Gian-Luca Niculce
Botosani, Romania
Learning how to round up numbers is a common lesson in younger school grades. But no one is paying attention because of cherry blossoms outside the school window. They are beautiful and ephemeral, perhaps shimmering in a breeze. How could any student pay attention to their lesson? What each student may not yet realize is their own ephemerality. Perhaps the real lesson is the beauty of nature.
wind-brushed pond
a little dragonfly settles
in a paper boat
Antonia Chersan
Botosani, Romania
We may immediately wonder who made the boat. Surely the person who also witnesses the dragonfly alighting on their creation. That small boat serves as respite for the small dragonfly, surely just as making the paper boat is a kind of respite or joy for the person who made it. Perhaps both the person and the dragonfly are seeking calm in the face of challenge and change.
Michael Dylan Welch is the founder of National Haiku Writing Month (www.nahaiwrimo.com) and cofounder of the Seabeck Haiku Getaway, the Haiku North America conference, and the American Haiku Archives, webmaster for Haiku Northwest (www.haikunorthwest.org), and president of the Redmond Association of Spokenword. He was keynote speaker for the 2013 Haiku International Association conference in Tokyo and has been teaching haiku for thirty years. His haiku have won numerous prizes and have been translated into at least twenty languages, and he has published 75 books. Michael’s website, devoted mostly to haiku, is www.graceguts.com.
Winning haiku in both Japanese and English were displayed at the 2024 Japan Fair at Meydenbauer Center in Bellevue, Washington, 29–30 June 2024.