Woodnotes — #15
Winter 1992
Woodnotes #15 was the largest ever, both in terms of the number of pages (36) and the greatest number of haiku and senryu (102), plus five tanka, four of which placed in HPNC’s annual contest, in a new tanka category initiated by contest coordinator Dave Sutter. Elizabeth St Jacques’ essay, “The Importance of Rhythm in Haiku,” spoke about the lyrical possibilities of haiku and how we might pay attention to rhythm as an antidote to “skeletal” haiku. Francine Porad served as the judge for HPNC’s annual contest, offering insightful commentary, including for the new tanka category.
Staff
Editors: Christopher Herold and Michael Dylan Welch
Typesetting and layout: Michael Dylan Welch
Cover and interior art: clipart
Pages 36
Haiku/Senryu 102
Tanka 5
Essays 2
Reports 2
Book Reviews 1
Mini-Reviews 9
Contents
Meeting Report by Ebba Story
Woodnotes Award, won by Marianne Monaco
“The Importance of Rhythm in Haiku” essay by Elizabeth St Jacques
Haiku and Senryu
President’s Message by Paul O. Williams
HPNC 1992 San Francisco International Haiku, Senryu, and Tanka Contest, judged by Francine Porad
Woodnotes (news; “Haiku Life” now included among other news)
“Yuki Teikei Haiku Retreat at Asilomar” report by June Hopper Hymas
Books, with notes by Michael Dylan Welch
Book Review by David E. LeCount
Summer River by James Chessing, Kimberly Cortner, Ebba Story, and Kathy White, edited by Tom Lynch
Woodnotes Award
my father
gentle for a moment—
butterflies
Marianne Monaco
Selected Poems
the slow dewdrop
down a length of leaf
bumps the snail
Elizabeth St Jacques
Silencing the cricket,
silenced by it
—the night stars
vincent tripi
new widow
turns the chipped side of the cup
to the wall
Lequita Vance
one more ride
with the top down—
winter stars
Yvonne Hardenbrook
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