Embedded Files
Spring/Summer 1991
Spring/Summer 1991
This special issue of Woodnotes combined two seasons to enable the journal to shift publication of future issues to better align with the seasons. This issue also had my favourite cover so far, with artwork by June Moreau. This was also my first issue as coeditor rather than as associate editor, and it featured more haiku and senryu than any previous issue. This was the final issue to include the “Haiku Stops” column that featured commentary on a selected haiku. Tom Arima contributed another essay on haiku aesthetics, “Tones of Haiku: Sabi,” and Christopher Herold’s “A Tribute to Rhythm” was an innovative hybrid of haibun and essay.
Staff
Staff
Editors: vincent tripi and Michael Dylan Welch
Typesetting, and layout: Michael Dylan Welch
Cover art: June Moreau
Interior art: clipart
Pages 28
Haiku/Senryu 79
Haibun 1
Essays 3
Reports 2
Book Reviews 8
Contents
Contents
In Memory (Charles B. Dickson)
“Spring Haiku Stops,” with haiku commentary by Nina A. Wicker, L. A. Davidson, Ebba Story, Charles B. Dickson
Haiku and Senryu
“Summer Haiku Stops,” with haiku commentary by Francine Porad, Ruth Holter, John Thompson, and June Moreau [shown below]
“Tones of Haiku: Sabi” essay by Tom Arima
“For Yvonne” haibun by Sue Stapleton Tkach
“A Tribute to Rhythm” essay (haibun-like) by Christopher Herold
Woodnotes (news)
Books, with notes by the editors
“Two Autumns Reading Series” report by Michael Dylan Welch
Meeting Report by Tom Tico
Selected Poems
Selected Poems
from the poet
from the flute—
woodnotes
Sister Mary Thomas Eulberg
Billie Holiday’s voice
light glints off courting
angelfish
Phyllis Walsh
winter into spring—
each day a little more song
spills through the trees
John Thompson
spring shower . . .
the robin returns
to the fallen oak
Lee Gurga
old friend . . .
a surreptitious glance
at the name tag
George Ralph
mother’s finger
star by star
the big dipper
Ebba Story
alone in the waiting room
checking the plant
for reality
Tom Clausen
which is the way?
the fallen pine needles point
in all directions
John Thompson
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